1.
Misprision
The room
is an archivist’s
nightmare:
books & papers
piled up
everywhichway –
on the bed
& under,
stacked against
the wall
& spilling over
to the door,
as if to brag
to the curious
& the jaded
he’s a virtual nerd
who has scrounged
around the corners
of the mind
the truth & untruth
in every Kabbala
of the word.
But when she flew
for nowhere
never to return –
she left no number –
it dawned
on him
he’s nearly blind
to anything
read
up close.
2.
Somewhere
He is a somewhere man,
always
never at the X site
but only at X1,
slightly off
the target center,
sideways
of here & there
like when he presumes
he knows
what she’s saying,
but his facts
betray the confidence:
she remonstrates
it’s not what
she’s grievously telling,
never the heart
of anything at all.
So when she leaves
the table,
he sits nailed
to his chair,
alleged victim
of the affair.
He holds on
to his beer
like Socrates
to his poisonous grail.
No one will
of course
weep
over this sordid play.
3.
Shot
He keeps
his nose close
to the grindstone,
hoping his craft
of words
is in exact
mathematical precision
to relay
his interpellations.
He’s wary
of reckless explosions
that make for
collateral implications:
words are bullets
that should hit the mark.
Always he strives
for a perfect clean shot
that however
doesn’t draw blood
but the target
falls down
not knowing why.
He is a pro.
He prides himself
with the expertise
other guys
shoddily claim.
But the gun
has its own agendum:
it backfires
now & then.
It could be fatal
if it happens.
Words
are exploding grenades
& offer
no apologies
to the executioner
& the victim.
4.
Stranger
He’s off to work
in a distant country.
He’s told of his immense
possibility –
that’s the scuttlebutt
of his neighborhood gang
who showed up
with gold necklaces
like amulets.
But it’s a one-shot deal:
they pick out stories
to tell over whiskey
& chaser.
He’s gonna take the plunge,
just the same.
Time is wasted
shooting the breeze
where the ocean is so far away.
When he flies back
there will the glint
in his eyes
& observers will be slow
to note the reason why.
He’s packing his bags again
this time with nary a smile
if he’ll ever return.
5.
Resolve
The jukebox
crazily insults
his ears
when it croons
“When will
I see you again?”
She’s gone, gone, gone
like water
flushed down
the toilet bowl.
It’s the final dot
but the vinyl
keeps on humming
like a knife
in his heart
corkscrewing.
But the drunkards
around him
grouse,
O he’ll get used
to the pain.
Eventually
it won’t hurt,
he’ll get back
to his old game.
6.
Respite
He’s been stuck
in his room for days,
as if hiding
from the gremlins
of the world
who are everywhere.
Is he writing
his brief memoirs?
Is he relishing
the moments
of being totally alone,
a straggler
marooned on an island,
& there’s no human voice
to interrupt
his secret meditation?
But when he comes out
like a refugee
from nightmare,
he stares blankly
at the wall:
it’s just as if
he had never left,
he’s nowhere to go,
he’s got no choice
but to damn
the torpedoes:
he cannot allow
to simply coast along,
be carried like
a useless stone
by the current
of the ruling buffoons.
That must have been
the mantra
of a revelation;
like Jesus
before the execution.
7.
Forever
She’s still praying
for her beloved husband
who died ahead of her.
“Sulking in his tent,”
a younger sibling teases.
She won’t go abroad,
preferring the reliquaries
of him
who was her everything –
He who is her
pure, solitary memory,
& she but his empty shell.
“She’s digging her own grave,”
a sister confides,
exasperated & impatient
with her overextended
grief.
To mourn is true, expected,
proper
but her whole lifetime?
“She should live for others,
too.
Her soul companion
is not the whole of mankind,”
she mutters.
8.
Posterity
He cannot understand –
although Michelet does –
why “the nameless
generations of human lives
must vanish without
a trace”
& be forever from history
erased,
not even a mention
if their names
from familial roster
to pivot in the telling
in barrios & the cities
time has dustily forgotten:
It dawns on him
as he scans
newspaper & internet
where figures
in multiply & friendster
appear & disappear
like insects.
& what about his stuff?
It won’t matter,
poetry will stand
like memorial tablet
crumbling in the wind.
& she,
who had ravaged his heart
like an infernal omen,
would just as well
stay in faceless silence.
What are tears for then?
The secret longing?
The constant waiting
of loss & gain?
O We are all heir
to eternal wasting,
the constant extinguishing.
9.
a.
Prole
At the crack of dawn
she’s already at it:
sweeping the leaves & debris
off the street,
raking them into her plastic bag,
then moving on
to the other side of the strip,
almost in rhythmic monotone.
She takes a break
for a minute or two
& resumes the repetitive toil
when leaves drift down again
& she looks back
at the cyclic ruination
of her place –
her place which isn’t hers
at all,
but an allocated space
decreed by her function.
Every hour of every day
of every year of every century
she is there
until she “melts into air”
or turns into dust
that her kind will in turn
bury away.
& she thinks
she lives in dignity
of a real life
of what the Bible decrees.
O She’s no more than
the ghost of brutal memory
that time records
for no eternity.
b.
Imagined epitaph at the paupers’ cemetery:
Here lies a street sweeper from MMDA
who thought she lived with dignity,
never dreaming that for centuries
she had lived the nightmare of history.
She never did really exist at all:
she was only felt like the air,
but authorities solemnly swore by her
to actualize their hypervalued power.
10.
Winner
They finally get it
straight from the horse’s mouth:
Yes, she’s no big deal anymore.
He swears she was the plague
he got over with.
But, somehow, they see through
the stratagem:
a psychic offensive,
a defensive maneuver
of some fool
who survived near-death experiences,
explaining a cure.
Wasn’t it not too long ago
that his knees buckled under?
He was putty, as the cliché goes.
Yet he claims
he’s his own man now
& wary of the consequence
of falling for someone
who doesn’t give a damn.
(He does not connect,
it’s all that really counts.)
This is shit, they conclude.
He’s just jiving.
When he vomits
like a drunken bozo,
they smile
he’s the first casualty
of the internal setto.
11.
Magic
Failing to comprehend
the world in all its studied complexity,
the idiot turns to necromancy
along the line of psychic energy
that opens doors
to the fourth dimension:
Is it possible
for a heart to resurrect?
Is healing a semiotic balance
between yang & yin?
Is it dignified
for the occult message
to reach the hunted
in strategic retreat?
Are centuries
of truth & fantasy
behind the surreal dream?
But the gypsy admits
she faces the blank wall
that foretells
none
of the answers
he wishes for…
Does her cryptic smile
veil a truth that may devastate
or clear a message
to inner reprieve?
The idiot blinks:
even the third eye
is blind
to the fata morgana in the air.
12.
Old Song
People
won’t even
talk about it
in his presence:
it’s all money stuff
& he’s just a furniture
at the sala
to be familiarly ignored.
Money, money, money
makes puny men
emperors of shoebox realms
but he’s got only
a few pennies
not even worth
a cone of ice cream.
In feudal lore,
a peon in cheap clothes
conscripted to serve
the King
whose pedigreed women
are allotted to ministers
with holified schemes.
Vice & virtue
have each a price
in gold or silver
but he’s small change, alas,
to humanly matter.
His soul is peddled
by stock traders.
But who’s buying?
13.
Weatherman
The weather’s
trapped
between partly cloudy
& isolated rainshower.
Intermittently
the idiot manages
to amble down the road
with his folding umbrella
& denim jacket
to keep out the cold.
It’s always been
that way
since childhood –
the glass is ever half-empty.
When they flash a smile
he is slow
to be consolate.
It must be the genes,
he rues,
he can’t be light,
a sun in winter,
like any other guy.
He avers
with false expertise & air
he’s in the cusp of history:
the working class
is in disarray
to even line up.
O There’s no waking
the cats
lazing at the veranda:
it’s been
the best times of their lives.
14.
Warning
Wall Street
is falling down,
falling down
& capital
is going the way
of toilet bowls.
& you & I
are gripped
by evening
“etherized like a patient
upon the table.”
Proles are out in the streets –
catatonic,
psycho wrecks
flashing knives
& yellow teeth…
But didn’t Lenin
warn a century ago:
no one listened
but for little prophets
in marble crypts…
What’s there to do?
You & I
must wake up
never putting faith
in a helpless God
who has changed residence
in a somewhere universe.
The old world,
is spinning fast –
we’re too damn hypnotized
by the turning gyre
to see
clean bombs
falling.
15.
Proposition
Amphetamine
is the patron saint
with sampaguita
he garlands
at the rearview mirror:
he can’t do
without its blessings
to keep him wide-eyed
24 hours without pissing.
But the gas price
rises like a geyser,
his tank level
drops like his jaw
& he,
sitting stonily
behind the wheel,
broods,
ears split by radio,
how things should add up
to a comfort zone
that has long proved
elusive.
There is the grey
of the horizon:
& he has been driving
like crazy
since truant days.
But nothing
has changed.
If he had only a gun…
Kids had whispered
it’s no brainer,
never even a wild whim.
16.
The People’s Poet
They were aghast
at the way the bunch
was detained
as subversives,
who were farmers
out on a ride
to their legal headquarters.
That was the alpha
of the malevolent ordeal.
Handcuffed, beaten
to confess
what the captors
in fatigue
had wanted to hear
so mission
could be, sir, accomplished.
Their loved ones would spend
days & nights
menacled to the same grief
as if they themselves were
in the dark, fearful cells
that might mark
an unknown death.
It took a long long time
to edge in their counterclaim.
& When the court
cut them a slack,
admitting
they had no blood on their
hands,
the poet of the group
had already written a volume
about his violated
solitude.
His kinsmen bannered his texts
like some omega of truth
but really,
they had presumed
those were chords
of their own, muted voices
in a humongous
prisonhouse
that is the world.