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	<title>EDEL GARCELLANO</title>
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	<description>Poems Old &#38; New</description>
	<pubDate>Sat, 28 Jun 2008 10:21:23 +0000</pubDate>
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		<title>Ka Dan &#38; Other Occasions</title>
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		<pubDate>Sat, 28 Jun 2008 10:15:54 +0000</pubDate>
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		<description><![CDATA[1. 
 
The Centennial celebration of the University of the Philippines must necessarily be a high-powered production that befits an apparatus of the government to proclaim its social value relative to its theoretical signification. It must therefore give way to a ceremonious salutation of individuals who have been perceived by the status quo to have conferred [...]]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">1. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The Centennial celebration of the University of the Philippines must necessarily be a high-powered production that befits an apparatus of the government to proclaim its social value relative to its theoretical signification. It must therefore give way to a ceremonious salutation of individuals who have been perceived by the status quo to have conferred on it premium marketing value – &amp; it could only set store by players of the game within its ideological matrix: thus, when Justice Reynato S. Puno was deemed the most distinguished alumnus of the university, the implication could only be vast. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">For instance, judicial activism must henceforth be prescribed as the only mode of action, for law is governance that holds a fractious society together. Its objectivity goes beyond partisan alignment. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">To this, the bourgeois class that constitutes the state (the feudal oligarchy that preempts power) would only say amen. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Puno has demonstrated the canon of energizing the probity of rules – &amp; his writ of amparo as well as writ of habeas data are landmarks in reformism. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Yet have these provisions stayed the armed components of the state from subverting the principles of accountability? Do they cower in fear, as if legalese were a Damoclean sword poised to cut the hydra of terror altogether? </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Of course not. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">They have given, the writs that whetted the libertarian appetite of the mainstream, false hope to the orphans of the desaparecidos – &amp; the rule of the fascist clique has persisted with wild abandon. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">When guns rule, law falls silent. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Yet, atavistic optimism must be impressed upon the young that revolutionary changes can only be achieved within the technical permutations of the law (there must be spaces of freedom within the chains). The ritual of observance in the midst of anarchic predisposition by the elite who continuously returns to power through electoral consensus (Badiou sneers at this failing of democracy that facilitates the recuperation of fascism) must be sustained for fear that the underclass would interpret <em>dura lex</em>, <em>sed lex</em> within their context.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">That Puno should be held in high regard by the sustainers of the status quo would certainly raise the hackles of partisans if contested – the audience has been primed, after all, for that kind of positivity. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">But the fearless (reckless to the neocons, who have fought for change, suffering privation &amp; all that, even death) will never make it to the shortlist of patriots to be honored. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">This is one occasion for mooning, indeed. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">2. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">In a Sunday column for the conservative <em>Bulletin</em>, “Breaking Signs,” Cirilo F. Bautista narrates an encounter with a former colleague who had gone into the profitable insurance underwriting. The ex-literary devotee said “in [his] line of job, [they] value straight talk… But poets… enjoy torturing [their] readers with [their] verbal obscurity.” </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">To which the columnist was quick to defend his turf: “You don’t like reading between the lines to see the meanings that are not obvious in the text but which are embedded there by the arrangement of the words. You must realize that the poem represents a kind of code – it is a human experience waiting to be uncovered and discovered… The imaginary is transferred into the real through the machinery of the metaphoric mind.”</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">But a message is a semiotic text, it should be argued, that “has contextual and circumstantial selections” in its various coding. For Umberto Eco, “a reader is supposed to single out the text’s elementary ideological structure, the operations overdetermined by his ideological subcodes…”</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">For instance, a reader of “Fleming stories who shares the ideological judgments expressed by the text at the level of discursive structure is probably not eager to look for an underlying ideological scaffolding at a more abstract level; on the contrary, a reader who challenges many of the author’s explicit value judgment is to go further with an ideological analysis so as to ‘unmask’” [Cirilo Bautista’s words are <em>uncover</em> &amp; <em>discover</em>, which is his intention; but proceeds from a claim of non-ideological practice] “the hidden catechization performed at more profound levels.” </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">In a similar vein, “textuality,” according to Fredric Jameson, “may be considered a methodological hypothesis whereby the objects of study of the human sciences… are considered to constitute so many texts that we <em>decipher</em> and <em>interpret</em>, as distinguished from the older views of these objects as realities or existents or substance that we in one way or another attempt to <em>know</em>.”</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">(Formalist reading presumes that reading is knowing, but there’s a hell of a difference between the notion of writer as producer &amp; writer as creator.)</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The insurance salesman assumes (SOP in Philippine literature pedagogy) a text is transparent &amp; self-manifest; the Dominican-bred columnist, though wary of the literal, isn’t however worried at all that his deciphering/interpretation plays only along a line of his ideological orientation (new criticism, anti-Marxist) &amp; therefore limiting as well as limited. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The salesman operates at a lexical level where “clearly” his premiums are projected to redound to his own benefit: but it will not reveal how much of his contribution rakes in profit for the company &amp; keeps the capitalist machine humming. The columnist intimates profoundly beyond the so-called Freudian manifest, but barely the latent which escapes the subject. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Both miss the point. They operate from within the discourse of monopoly capitalism &amp; their disagreement is illusionary: they’re ideological brothers who believe in the same god of hermeneutics that feeds off the hegemonic palaver of the state. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The insurance paper will camouflage business profit; although the subscriber is made to believe he too will prosper mutually; the literary practitioner will insist on the particular line of meaning his poetic frame axiomizes, which he propounds is beyond ideology. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">If Bautista, in the polemics of E. San Juan, Jr., states that poetry goes beyond the notion of class, or is not determined by it, he actually depoliticizes the text (if ever a dictator would bother with formalists, it is certainly for a different reason). Gelacio Guillermo, who once in his youth mistakenly valorized Bautista’s archipelagic grid, would however, in his later years, advocate a partisan-based lit on the overwhelming vantage of national liberation: in the varied spectrum of reality, a choice has to be made to respond to Sartre’s “For whom does one write?” or Lenin’s “What is to be done?”</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">To wit, an occasion of walking into the woods (we posit a poem of this nature) could symbolize a journey to the truth, but how would that implicate the current salvaging of innocents if the text is not specific about them? There is always this fear of being simplistically political, but much ambiguity happens this way, &amp; we allow poets to go scot free, as if they’re above partisanship &amp; their poems virtually cover the universal. As if, moreover, a poet has no blind spot. The so-called prophetic eye is an invention of shamans who would dazzle the eyes, never the mind. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Can an age see itself looking &amp; performing the rituals of seeing? Can we see the back of our heads? </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">At summer workshops, where acolytes lie at the feet of their masters like herded cows, gurus turn benevolent shepherds. But a pat on the back could also be a sledgehammer on the consciousness. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">“Let us save the children.” </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">3. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Jill Bolte Taylor, “a neuroscientist working at Harvard University’s brain research center,” recently experienced nirvana when she suffered a stroke. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">There “was a piercing pain behind her eyes… a blood vessel had popped. Within minutes, her left lobe… began to fail her… [But] the incessant chatter that normally filled her mind disappeared. Her everyday worries – about a brother with schizophrenia and her high-powered job – untethered themselves from her and slid away.”</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">It is established “that the left brain gives us context, ego, time, logic… The right brain gives us creativity and empathy. Her message, that people can choose to live a more peaceful, spiritual life by sidestepping their left brain has resonated widely.” </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">But does one need to “lose the ability to speak, to understand numbers or letters, or even, at first, to recognize [one’s] mother? Eight years of recovery followed.”</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">An accidental route to nirvanic bliss, but is not recommended for anyone to allow seizures to hit the left lobe only, as if it could be perfectly arranged. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The psychostate can however be duplicated, or simulated, on the level of “mindfulness meditation,” according to Zindel Segal, a psychologist at the Center of Addiction and Mental Health in Toronto. The therapy, it is called, is however “rooted in the teachings of a fifth-century B.C. Indian prince, Siddharta Gautama,” the Buddha. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">This philosophy as a modern practice “help[s] relieve stress, soothe[s] addictive cravings, improve[s] attention, lift[s] despair and reduce[s] hot flashes.” </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">It is also a religion of fatalist acceptance where one “just lets [things] be… not trying to change anything.” [A similar therapy is conducted on trauma victims, of the recent sinking of Princess of the Stars, where “tearful relatives” are de-stressed clinically &amp; made to confront the inevitability of the tragedy.]</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">It is built-into the process that “a person can turn, mentally to face a threatening or troubling thought and learn simply to endure the anger or sadness and let it pass, without lapsing into rumination or trying to change the feeling, a move that often backfires.” </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Briefly, against dialectico-material principle, nothing can be changed. One must simply flow – a fallacy for those who would fashion existence in the context that man can work things out in a world of so-called metaphysical disorder. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">“You have nothing to lose but your chains” would ring hollow, or mean differently to a guy in lotus position.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">By transposition, the left is the domain of mathematicians; the right, phantasists. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Logic aligns with numbers, as in theories of possibility, while the nirvanic is the stuff of Anne Dillard’s what-ifs, the plausible that challenges rationality. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Are we to argue then that fictionists [the so-called creative spirits] are blindly speeding into the dark, while promising flashes of light in the horizon to guide us through the malevolent journey; or our guides be Einstein or Hawking who could see through the irrational bluff &amp; reduce everything to logical precision?</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Shall we find comfort in simply crossing our fingers?</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">4. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Ka Dan</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The news of his earthly demise wasn’t anything to shock him like a surprising whiff of fresh air in a fetid room.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Already, there had been ominous signs, but he still couldn’t help catching his breath when he scanned the inside page: Ka Dan Vizmanos, at 79, had passed away. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">A so-called renegade when the army war deep into Eisenhower cult, he broke out of the militarist cocoon as early as the ’50s – a paradox of the spirit that would not dare consign its fate to rigid rules &amp; regulations, unexamined motives of power, Pavlovian mode of behavior. Tortured &amp; subjected to truth serum, he was able to hold his ground, survive the inquisitorial regime of Marcos, &amp; find refuge in militant orbs that kept him from vegetating, like any retiree, into wasted obscurity. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">He was ever the fighter. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">He once rode a rememberer’s car into a house on Roces that had since been demolished. He talked about small things to keep the conversation light &amp; pleasurable, never slipping into the grim &amp; determined tone of a cartoon superhero. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Like his old generation of warriors, he had finally stepped aside for the dissenters in the wings to seize the center stage of history, where he had left the onus of Phoenix-dreams of his time. </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">5.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Apropos the Supreme Court, what do you make of old fogeys beholden to an appointive President &amp; who interpret the law that binds our little lives with their infallible majesty - &amp; laymen couldn’t question their hermeneutic prowess because no one is higher than themselves?</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">They who are trapped in their own ideological limitations &amp; spheres of fears &amp; comfort, point out the entrances &amp; exits of the text like some labyrithine passageways in Kafka’s castle - &amp; we can only talk to the guards at the gate because we are not empowered to proceed?</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">If a simple task, for instance, would be administered on these self-proclaimed thinkers who tinker with truth &amp; meaning, like making them read a poem, a short story, anything that is discursive, &amp; if civilians are allowed to join the fray of readers, how would they fare?</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">For sure, there will be a cacophony of voices, including the jurists’, that will subvert their authoritarian tenor. Consequently, all things deemed equal, we should have an inkling of their individual ideologemes &amp; “see finally that the emperor wears no clothes.”</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">That Trillanes couldn’t attend the Senate hearings – the court crows about the superstructure of the law that projects it as rationally impregnable – while the likes of Lapid, Revilla, Zubiri (whose votes are still contested; imaginary unlike Trillanes’s) &amp; other lesser lights with like intelligence quotient, could sit before a nationwide microphone &amp; babble, boggles logic, even common sense, that the impervious arbiters of justice in the land, would have us, legal numbskulls, believe in their wisdom, much like religious fanatics who are advised that the ways of the lord are inscrutable &amp; (surely in the final analysis once the smoke of disbelief allegedly clears) just.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">6.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The journey of a thousand miles starts with a small step.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The devil is in the detail.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Bromides that may underlie catastrophes.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">When a phone caller aired over DZMM teleradyo that the Sulpicio Lines is noted for not graciously feeding stranded passengers, the Princess of the Stars’ sinking becomes explicable.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">No, the Pag-asa weather bulletin was as reliable &amp; erratic as CNN’s, which predicted a northward route. Yes, the high pressure ridge made the typhoon veer off to Romblon &amp; slice through Southern Luzon…</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The captain, some people aver, could have turned back to a nearer island shelter, but it was touted as the jewel in the Sulpicio shipyard, &amp; tough enough to weather such cyclonic threat. It didn’t…</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">Was it the almost reflex action on the part of authorities that a re-routing midway would be a logistic maintenance that would bite off chunks from company profit?</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;"> </span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><span style="font-size:small;">The captain’s possible apprehension about headquarters&#8217; reprimand might have forced his hand “to damn the torpedoes &amp; steam at full speed ahead.”</span></span></p>
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		<title>The Unholy Terror</title>
		<link>http://theworksofedelgarcellano.wordpress.com/2008/06/18/the-unholy-terror/</link>
		<comments>http://theworksofedelgarcellano.wordpress.com/2008/06/18/the-unholy-terror/#comments</comments>
		<pubDate>Wed, 18 Jun 2008 11:41:43 +0000</pubDate>
		<dc:creator>edelgarcellano</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theworksofedelgarcellano.wordpress.com/?p=396</guid>
		<description><![CDATA[ 
A. 
 
She was asked by the leader: “When will you, reporter, stop writing about fighting in Sulu? Is that all what you reporters are after?”
 
Earlier in the day, she had been “slapped in the face and pulled around till [she] hit a rock… ordered to undress and changed into an outfit they threw at [her] [...]]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>A. </strong></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><em>She was asked by the leader: “When will you, reporter, stop writing about fighting in Sulu? Is that all what you reporters are after?”</em></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><em>Earlier in the day, she had been “slapped in the face and pulled around till [she] hit a rock… ordered to undress and changed into an outfit they threw at [her] face… pointed a gun at her forehead… Late in the night they [had] pushed her into a shallow pit… and someone [had] pissed on her…” </em></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">A suicide bomber, for Terry Eagleton, “by actually accepting his death, frees [himself] from death and turn[s] it into a weapon… forc[ing] a point out of the ultimately pointless. As well as a way of killing a lot more people, death becomes a symbolic statement that the way he is living is even more dire than non-existence…” one thing that is “stronger than death is his anger [the kidnappers’].”</span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">The contempt hostage-takers, in the name of religion &amp; social debasement, hold against Christian civilians (there are cases of Muslim collateral damage) is the very paradigm of the politics of a “Third World society, first century Palestine” where traditional cultures are “last-ditch resistance to… modernity.”</span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">In a sense, they mimic the ancient Moors who defended their turf from the Medieval knights in alleged search of the Holy Grail – &amp; their aversion for the Crusaders still enflame believers of Islamic truth. After all, mimicry, according to Michael Taussig, “lies in the copy drawing on the character and power of the original, to the point whereby the representation may even assume that character and that power.” </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Think of Janjalani rediscovering himself as a mythical Paladin in the same manner that penitents are virtual Christs themselves who must be nailed on the cross. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">We conflate here terrorism &amp; original: the bandits, in the name of the first transgression, have become the resurrected warriors out to crush the infidels with the same imagined brutality of interlopers who inflict pain on them. The hostages are consequently the very reality of the corporate world that has marginalized them – &amp; it does matter little if these outsiders belong to the same oppressed class as they surely are. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">We take note of the inquisitorial voice that denounces the ordinary reporter for portraying their kind as violent – paradoxically revealing a blindness of himself to his own brutality. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">We are reminded of the conservative paradigm that denounces the republicanism of Danton &amp; Robespierre as the classic case of the revolution devouring of its own children, of victims partaking of the role of executioner they had earlier revolted against. But this a reactive response from the far right that sees no qualitative difference between polarities. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>B. </strong></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">But are the Sulu denizens in the same league as Iraqi suicide bombers, whose nationalism &amp; religious fundamentalism twin with the Islamic contempt for the maternal body &amp; preference for the allegedly spiritual?</span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">The Mindanao caper on Drilon &amp; her cameramen repeats the old Sipadan chaos, where Muslim rogues &amp; Christian bureaucrats conspired to corral Burnham &amp; Company – in the process exposing the marketing scam to siphon off state &amp; foreign donor’s bounty, in the name of negotiation. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">The beheading of the victims was a simple point to raise the ante on ransom money &amp; project the absoluteness of their beastliness. The language of terror is that which moves the urgency of what’s at stake. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">If, however, they cannot value human life as a metaphysical dictum, why score therefore the inhumanity of state satraps? </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">The reporters who are currently detained must have been asked this: but does this advance their plea for social justice? </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;">“<span style="font-family:Arial, sans-serif;"><span style="font-size:small;">A local official,” moreover, “had asked whether media could still do something about Sulu’s image crisis.” </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Alas, but a Kotong cop has a more viable PR possibility for a makeover…</span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>C. </strong></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">The tragedy of the recent Sulu kidnapping is not so much the ambiguity of terrorism itself (“that which seeks to turn despair into hope, but to draw its power from despair as such”) as the corporatism that has muddled its projection of counter-violence against a state that turns hungry peasants into gun-toting bosses. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">The haggling over money in exchange for prisoners has turned into a transaction for the highest fee – thus reducing their mission into a market ploy, like pricing animal stocks for the abattoir. Is there any difference therefore between a cow to be slaughtered &amp; a human to be beheaded or shot? </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">While they denounce the commodification in a system that reifies their being, they nevertheless subscribe to the monetary mode of recouping their subjective loss. Thus is the absurd that makes of the anarchic group a cheap simulacrum of the al-Qaeda in Iraq &amp; Iran, although they draw inspiration from them.</span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">That they are enabled by scalawags in the state apparat is the unsaid that encourages right-wing fanatics to unleash their brand of militarist terror &amp; that is the rub. More than ever, the state operators benefit from their orchestrated mayhem, as political observers are wont to suggest. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>D. </strong></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;">“<span style="font-size:small;"><span style="font-family:Arial, sans-serif;">In the pragmatic, disenchanted, distinctly unmetaphysical climate of advanced capitalism,” according to Eagleton, “those for whom culture and militancy are inseparable…” Western postmodernism “rides roughshod over local communities and traditional sentiments…” which results in “Western society… leav[ing] a culture of smouldering <em>ressentiment</em> in the wake.”</span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Thus the resurgence of the JI group in the southern tip of the archipelago, which is fertile ground for First World incursion – economically &amp; politically: after all, Ibn Laden was a CIA creation for anti-Soviet operators in Afghanistan, only to become later the scourge of New York. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">For a fundamentalist, language is not metaphorical, but singular &amp; transparent, for the alleged truth is self-manifesting, contrary to the positing of Derrida, where multiplicity &amp; consequently the final truth is most elusive. If a text promises a believer of a reward of 60 virgins after a mission that does away with his corporeal body, it literally meant that. But what escapes the sacral assurance with patriarchal overtone is the promise recuperates the feudal Persian practice of the sultanate’s harem, where desire flourishes because sanctified by laws. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">&amp; when Christians are deemed infidels, as in the past history of the Medieval Crusade, they must remain so to this day: the age-old civilization persists as in the Koran, &amp; redistribution must be visited upon its detractors, ever on their own kind who would reinterpret it in a liberal humanist way of the New World. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Terror is holified. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Yet, we must also take note “that the predatory actions of capitalism breed, by way of defensive reaction, a multitude of closed cultures” (in Middle East &amp; Asia in general), then creating the resistance by which current fundamentalism tries to protect itself, its beneficiaries among the elect seeking to perpetuate themselves by their authoritarian hermeneutics of the Koran &amp; the persistence of atavistic tradition. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Revolutions come out of the womb of love &amp; compassion, never fear &amp; loathing. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">They never seem to learn. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>E. </strong></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">True, in a universe that is proclaimed by postmodernists as uncertain &amp; contingent, terror has become the essence of existence – a political rationale that allows nihilism to be the central thematics of our times. (Some point pounced upon by dictators &amp; monopoly capitalists as precondition for steering clear of the abyss; &amp; if allowed everyone to be overwhelmed by such possibility, the road to Dachau is most justified.)</span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">But, as Zizek cautions to balance, as it were, the equation: “The same goes for revolutionary politics: the horrible experience with Stalinist error should teach us how idealism and cruelty are two sides of the same coin&#8230;” It also should “in no way inhibit us in our search for a &#8216;good terror&#8217; as the key ingredient of any truly radical politics.” </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">&amp; we ask: do the Sulu brigands make for a positively (deconstructive) dictum on the violence of the violated? That the subaltern has the inviolable right to acquire the master&#8217;s mayhem? </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Can the Islamic children of war &amp; hunger, taking after their wrathful elders, assume a higher moral ground against a corporate state and/or Christian outsiders they are wont to denounce as the bane of their squalid existence? </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Isn&#8217;t the Sulu kidnapping as an industry, in a quirk of historical analogy, reminiscent of the slave trade that saw Western colonialists raid African &amp; Asian settlements during the foundational years of Empire? </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Isn&#8217;t their mode of Islam only a decoy play for accumulating capital in the pursuit of counter-hegemony? </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">O A perverse terror is upon us. </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>2.</strong></span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>Father&#8217;s Day</strong></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>A.</strong></span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">His father </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">was the town&#8217;s </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">leading tailor, </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">but he&#8217;d prefer </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">denims &amp; sneakers </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">that raised his mother&#8217;s </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">gentle voice: </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Why does their son </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">embarrass his parents </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">with his shoddy looks? </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">When readymade pants </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">&amp; shirts became de rigeuer, </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">the shop had to close down </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">&amp; his father</span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">would look for </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">business spots </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">but it was too late </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">a time </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">for custommade apparel </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">to be king again&#8230; </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">(Seasons are always </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">cruel to </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">old souls </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">who raise the artisanal </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">roof&#8230;) </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Now he rues </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">the superfluous brands </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">the market offers </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">as terrific loot </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">whenever he preens </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">before the mirror </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">like a faded peacock </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">&amp; longs for </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">their once-upon-a-time </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">loving reproach. </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">At his father&#8217;s wake, </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">by his urn of ashes, </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">lay the scissors </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">&amp; tape measure </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">of his trade </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">that signified </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">an epoch </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">&amp; his insolent youth&#8230;</span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;"><strong>B.</strong> </span></span></p>
<p style="margin-bottom:0;"> </p>
<p style="margin-bottom:0;">“<span style="font-family:Arial, sans-serif;"><span style="font-size:small;">We who are fathers </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">are ourselves fatherless,” </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">the first line of a sonnet </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">he uttered at 19</span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">his past drawing up </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">a future </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">that is his present now&#8230; </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">Should he have feared </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">its sad, sad gravity, </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">like a shot </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">wildly fired in the dark? </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">He is thankful </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">for that open-eye blindness </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">that stopped him </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">from keeping it </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">like a secret letter </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:small;">of the arcana </span></span></p>
<p style="margin-bottom:0;"><span style="font-family:Arial, sans-serif;"><span style="font-size:x-small;"><span style="font-size:small;">in his heart. </span></span></span></p>
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		<title>Science of Sadness</title>
		<link>http://theworksofedelgarcellano.wordpress.com/2008/06/11/science-of-sadness/</link>
		<comments>http://theworksofedelgarcellano.wordpress.com/2008/06/11/science-of-sadness/#comments</comments>
		<pubDate>Wed, 11 Jun 2008 10:15:35 +0000</pubDate>
		<dc:creator>edelgarcellano</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theworksofedelgarcellano.wordpress.com/?p=394</guid>
		<description><![CDATA[ 
1. 
A. 
 
Was it that time (he was six) when they fetched him in the middle of a sunny afternoon from school to see his infant brother, all swaddled in cotton cloth, &#38; lying on a small table, a candle flickering at headmost edge. He had passed away (he could have been victim [...]]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"><span> </span></span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">1. </span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">A. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Was it that time (he was six) when they fetched him in the middle of a sunny afternoon from school to see his infant brother, all swaddled in cotton cloth, &amp; lying on a small table, a candle flickering at headmost edge. He had passed away (he could have been victim of sepsis, but who would know if no doctor was present at this birthing?) but he couldn’t bring himself tears: he was overwhelmed by strange emotions of it all – his mother blankly looking at her baby, his grandmother praying in a corner, &amp; no one had trickled in yet to pay their respects. He wasn’t even afraid – the dead haunt you into a world of terror – to sit by his coffin at the calesa that brought them to the municipal cemetery. &amp; when his mother broke down before the sealing of the small tomb, he felt awkwardly embarassed to see her crying for the first time. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">She was with her when she asked for Openg to dine with them, sharing their salt fish &amp; gruel. She feared being alone, he would know later, &amp; it would be the beginning of her nervous breakdown which led her to spend months in Manila… That was all he could recollect; every episode thereafter like a blank reel of film… All he knew was he would rather be alone, cover himself with a wooden blanket, &amp; linger in the dark landing of the stairs until his pious grandmother would call him up for supper. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He didn’t have any playmate, so he would just spend mornings &amp; afternoons listening to his neighbor’s radio &amp; the twitter of birds in the huge acacia tree that limned the whole compound where they rented the ground floor of a makeshift apartment. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Was that when it all started, this feeling of anomie &amp; the incurable brooding that infest his daily reckoning? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Was it something that caused him bad grades at the university that violently pulled him out of his rustic pace &amp; delivered him right smack into the hassle of city life which made him cringe at the company urbane strangers &amp; academics with phony American accent? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">All his elementary life he had spent cultivating a vegetable plot in a provincial school – &amp; any idea of enlightenment (read: the age of reason) was accidental. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">&amp; so on. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">This impoverished childhood &amp; rebellious youth – did it correctly image his passage into adulthood? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Yet “psychologists from England’s University of Plymouth and US University of Virginia” in the persons of Simone Schall &amp; her colleagues would report “that happy children don’t always learn their lessons well.” In “top-down processing, a good mood tended to rely on existing knowledge… to understand new information.” While “in bottom-up processing… people start with no pre-conceived notions and build up their own thoughts and ideas based on what they learn as they go on.” (As quoted from the column of Massie Ballon.) </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He was neither sad nor happy: only he felt “that something is amiss, triggering detail-oriented, analytical processes.” </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But it would be superfluous to apply it to him who would face a deadend when navigating the past: he had to be reminded of events that sifted in during conversations, photos that placed him at a particular place &amp; time…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Nothing in this case could account for melancholia, no matter how scientific it could be. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Even literature couldn’t explain it all. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">&amp; how badly people set great store by it. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">B.<span> </span></span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Which, in effect, argues for the dictum that losers are smarter than spoiled brats? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">This is SOP for most apologists who aver, that given equal opportunity, the technocrats of the future would emerge from the ranks of overachieving scavengers at Payatas, Gramsci’s potential organic intellectuals who will pull themselves up by their own bootstraps. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">This is something devoutly to be wished; however, these are rugby-addled brains, noodle-fattened bodies whose genes have been altered so toxically there is nothing much society can expect but to lock them up or send them to rehab for they are the virtual monsters bred at the margins, out to wreak violence even on members of their own subclass. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Writers who originate from the sanscullotes would bat for Schall’s lab results – as if by being celebrated by the mainstream &amp; pursuing the ideological hegemony of the state, they shall have proved themselves superior by virtue of their suffering which they could writerly retell with clarity &amp; empirical truths. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But they have likewise internalized the neo-fascism of the state through a notion of language &amp; craft, embraced a lifestyle of the rich &amp; famous… [You can pull a boy out of a country, but never a country out of a boy, they say. &amp; it will show.]</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Affluent but sad: that is the bummer. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">2.</span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">&amp; when he thinks of how these kids prepare assiduously info packages for incoming freshmen so they could savor a life worth making in UP – the onerous tuition hike, the system that penalizes everyone, regardless of class, for an education that serves foreign corporations, etc – he becomes all worked up, as if gripped by the misplaced sentiment for the poor who tugs at collective heartstrings. But Bob Dylan douses their slow fire: “You can’t expect people to have the virtue of purity when they are poor.” </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">So he turns suspicious of the revolutionary wager that the masses will be ripe for revolt, which too often is a losing proposition: on the basis of Kantian moral imperative, they will be lacking in ethical superiority to judge the executors of evil designs precisely because they are contaminated by the Devil himself…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But Brecht is aware of this contradiction, as in the parable of the Gordian Knot: </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">“… Oh, the man </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Whose hand tied it was not</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Without plans to undo it, but alas, </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The span of his life was only long enough </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">For the one thing, the tying. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">A second sufficed </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">To cut it.” </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">3. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">She stood on a mound of stones to view the spot where our feline possession, Bugsy, was laid to rest two years ago. She had been warned of snakes slithing in the overgrown grass, &amp; could only whisper a short prayer across the untended lawn of a house slowly falling apart…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He was family, &amp; “deeper than all the roses” is the loss at his passing at the animal clinic. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He was ours. All lowly creatures, so-called, deserve that affectionate moment of remembering. If only humanity were civilized, then there would be, he mused as she stood silently at the edge of the front yard, a kind of peace, like a gentle wind, in this troubled land where cats &amp; dogs roam in hunger &amp; in-chains while merciless humans pray at angelus for God’s merciful blessing. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">4. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Fredric Jameson clarifies that savages of the past are historically different from the savages of today: yes, there’s a chasm that separates the technological civilization of the modern from the primitivic periods of early tribes. The former lived in an enclosed world that was cryptic &amp; natural; the latter pretends to be in full control of his wits, &amp; like someone who stands on a cliff, sees the bigger picture, diagrams the expansive space. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">So saying, contemporary philosophers stand on the shoulders of their forefathers: they can now advance beyond the permutations of Plato’s cave, or Kant’s categorical imperative. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Whenever he wakes up, as if from deep nightmare, he is overwhelmed by undefinable exhaustion &amp; malaise: a ghost must have pushed him down on a cushion of pins like an Indian mystic. Stress? Cerebral atrophy? Lingering idiocy? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He’s wired to everything that seems to media-happen in the world: the guilt trip of American voters that made them rally behind the Afro-American who mouths change as if he could fix American imperialism; the death of children in the earthquake zone of China; the genocide in Darfur; the sex trade in Algeria, London, everywhere; the bombing in Iraq; the burkha myth for women in Iran, etc. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He’s helplessly suffocated by the avalanche of events exploding in every nook &amp; cranny of the planet. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">O how he wished he was a neanderthal savage who would only worry over a volcano erupting in the vicinity, or the other tribe foraying into their own hunting ground…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The equation wouldn’t be quadratic; &amp; the survival kit simple enough. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Technology has become a source of multiplex of stress coming from all sides. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">It’s the “technology of the railroad against the plane,” which implicates, for Paul Virilio, the notion of speed that spills us into a fast lane, this cybernetics “which organizes networks of relations and information and, as such, they quite obviously convey the perspective of a humanity that is not only unified but also reduced to uniformity.” </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">For the “new technologies,” he warns, carry “a certain type of accident, one that is no longer local and precisely situated, like the sinking of the <em>Titanic</em> or derailment of a train but <em>general</em>, an accident that immediately affects the entire world.” </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Never has the adage “no man is an island” assumed a more catastrophic reading. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">5. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The mourners who lined up at the actor’s wake in their jogging shorts &amp; sneakers so early in the morning are the very iconic of the tabloid perversities that allow the profane to be elevated to the level of the acceptable. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">These bums never knew the guy as a friend, for sure, but they were ogling his remains like pedestrians poking with their eyes an animal lying dead on the pavement, or voyeurs on necrophiliac high.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">If only he were God &amp; could unleash thunderbolts from his hands: he would scuttle them like cattle to let the family be alone in their grief. In dignity. In disconsolate peace. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Alas, but there is this problem of ownership: the vulgar public thinks he owes them…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">[&amp; Marilyn Monroe’s <em>Playboy</em> spread still turns them on.] <span> </span><span> </span></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">6. </span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">(For Camille)</span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">When Jerry West traded Vlade Divac, his Yugoslavian center who came in after Kareem Abdul-Jabbar retired his Laker uniform, for a Philadelphia kid named Kobe Bryant who was fresh off high school, cage cynics must have scored it a crazy stunt. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">What did West see in the tyro named Kobe? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Years later, the “Black Samba” would clinch the MVP award in the NBA; &amp; West’s gamble would bring smile at how far he could see into the future. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Michael Jordan drafted Kwame Brown, &amp; became laughing stock among high rollers. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">She applied for an instructor’s job at a downtown university &amp; breezed through the exams with flying colors. Yet the old fogeys still insisted on graduate units – as if extra credential is index of intellectual clout. They stuck to their rules they themselves interpreted in whichever way. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">How about kids who would helplessly fidget at the hands of time-warped pedagogues, whose spiel is read from yellowing notebooks? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Her first heartache, an interminable sadness – but there would be more because the Althusserian apparat is a snake pit. </span></p>
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		<title>FACES OF DECAY</title>
		<link>http://theworksofedelgarcellano.wordpress.com/2008/06/04/faces-of-decay/</link>
		<comments>http://theworksofedelgarcellano.wordpress.com/2008/06/04/faces-of-decay/#comments</comments>
		<pubDate>Wed, 04 Jun 2008 11:05:28 +0000</pubDate>
		<dc:creator>edelgarcellano</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[1. 
 
The guy in Lubao, Pampanga who held hostage the passenger bus Genesis, where started the parodic tragedy, had the “women strip themselves naked, ordering them to take off their bras &#38; panties” because they are, like his wife, generic &#38; must pay out his humiliation. She “cheated” on him, but is safely out [...]]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">1. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The guy in Lubao, Pampanga who held hostage the passenger bus Genesis, where started the parodic tragedy, had the “women strip themselves naked, ordering them to take off their bras &amp; panties” because they are, like his wife, generic &amp; must pay out his humiliation. She “cheated” on him, but is safely out of reach in Negros.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Hell hath no fury like a man scorned; &amp; woe to those who would snicker behind his back in a country where women should be fiercely loyal &amp; religiously pious. Marriage, after all, had warned them to serve their gender superiors.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">O he couldn’t understand the times. Feudal knights, when off they run to battle the infidels, would lock up their ladies’ chastity belts because the latter cannot be trusted. Only a horse was worth the freedom of his fief. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But the world seemed to have turned inside out the tradition that kept the ship of love cruising on an even keel.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">She’s nowhere to be found at moments she’s most needed. A truant with ants in her ass?</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He could only raise a storm in the teacup of his powerlessness. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He was, in his mind, the sacrificial victim in the name of justice. After all, the police who did him in surely shared his point of view.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">2. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">It’s almost like a religious mass: there will be talks of a school crisis (read: educational infrastructure is shoddy, teachers are underpaid, tuition is skyrocketing, &amp; so forth) &amp; the state in turn will intone the same panacea: bigger slice of the pie &amp; so forth. This will be repeated year after year; still all will be muttering the need to raise the alarm on the quality of education. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But this has been ongoing since Rizal’s class in physics. We’ve always managed with mediocre students &amp; the country is none the worse for it. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">After all, educating the young is meant fashioning them according to the tenets of the apparat of the state: loyal to the cause of capitalism, dutifully subservient to American hegemony, blindly keeping the machine functioning. There is no imbroglio: we get what we want – a docile population &amp; a diasporic labor force that worships at the lavatories of Europe &amp; maintains the safety valve of a boiling kettle that is this archipelago. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Quality is substandard? But if we produced intelligent kids, would that disrupt the system? A thinking mass is anathema to totalitarian rule. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Things as they are, the state merely churns out proactive press releases. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">It is at home with the idea that civil society should rather go around it, never meet it head-on. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">3. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Certainly, the campus scene will be punctured with pockets of resistance against tuition hike, et cetera. The young resistors will be at it again, while the rest will scrap it in a system that best serves their ambition – bourgeois &amp; republican. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">How long must the dissenters keep up with their passion. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Cynics shrug: only time will tell. A history of apostasy has blurred their vision: the most vociferous have turned parliamentarians, the most adventurous have sought comfort zones, the most wild have invented an infrastructure of reasons that they are beyond all that…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But as armchair observers, should we knock them for what has been perjured as historical error? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">If they failed their mission, it was not their own undoing; but apathy of the multitude that wouldn’t rage against the dying of the light. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The signifiers “masses, party, revolution and dialectics,” for Badiou, must be uploaded with new signifieds. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">4. </span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">A. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">It was a sleepy afternoon when he dropped by Kowloon to buy food for supper. The cashier hardly listened to him as she was preoccupied with her kids running around like the Chinese restaurant were their own backyard. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The waiter grouchily listed down his order, then ambled off to the kitchen for which he had to wait for some 40 minutes or so. The other members of the staff listlessly paced the floor – there was so much time on their hands &amp; only a long table at the farthest end of the hall was occupied. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">They were engaged in light but sporadic banter about someone else’s kids who probably would be pampered into thinking the world revolves around them… The crew looked like they were hard put to hide a routinary ennui, &amp; would pull, if they could, the afternoon faster on its wheel: cold beer &amp; that evening show would make their day…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He computed a thousand afternoons must have elapsed before that afternoon &amp; they were erect &amp; uprightly then… All their lives they would be staring at daily servings of noodles &amp; fried chickens, arranging spoons &amp; forks &amp; plates on the table, changing covers &amp; napkins, refilling glasses, all for the glory of the future. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">They had probably forgotten how to think out of the box: their minds a metronomic repetition of all the afternoons that usually pass into mornings, then start all over again. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">In this deadend life, he wondered if he was better off communing with kids who in turn would repeat themselves to their own kids…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The revolution seemed so far, far off, like Godot waiting for Godot. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">B. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The Erestain Flores de Mayo wound down the fourth street &amp; he could smell the estero as they passed him on his way home from the lottery. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The unshod were screaming like crazy, engaging in silly chatter, &amp; lighting missiles to turn the occasion in their lower-class mind like a television episode in color. They must have their fantasy. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He again wondered if this execrable mass – who would rob you blind if you so much as lie drunken on the street – which bleeding hearts call the downtrodden, deserves their pitiful attempt at claiming a patch of the moonlit sky for themselves. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Yes, these religious freaks breed like fruitflies. Regardless of the sentiment however (which are structural, not subjective), the neighborhood mob of anarchists will not create that wished-for history. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Unless an epiphanic rupture – beyond all scientific theories, &amp; actuarial forecasting – miraculously descends upon them like an angel’s avenging sword. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">C. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">How could Althusserian rupture happen? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He was reminded of the raucous crowd who’s all spleen, semen, spittle, yellow teeth, dusty feet &amp; smelly armpits. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">How could they lead us to the promised land? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Certainly, not with the mystique that enveloped Paul on his way to Damascus – that is too transcendental &amp; requires of volumes of proofing. Something concrete, tangible, empirical to convince us that salvation is not pure imagination, but the possibility of Lacan’s Real. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">(Imagine the mob raising its fists because it knew Lenin by heart, spouting poetry by poet-priest Ernesto Cardenal who was the Sandinista nightmare of America.)</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">What confluence of logics must occur for all the motley desires to conjunct in a calculated &amp; progressive mode toward utopia? </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Sizing up the crowd, he couldn’t believe in miracles. For a moment, his heart fell. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But he remembered this was the terrain in Moscow at the time of Lenin, Beijing at the time of Mao, Cuba at the time of Castro…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The future embraces us from behind &amp; we stagger, as if shell-shocked. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">5. </span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The project is to introduce the masters for pedagogic purposes: they would write up their massive texts in small but crystalline doses. The intention is to bring the profound, convoluted philosophers right onto the dining table, as it were, of popular taste, so the inheritors of the future would be guided accordingly. Commendable it is, indeed: &amp; hardy souls have picked up their choices in Zizek, Agamben, Nietzsche, Giddens, Habermas, Althusser, Confucius, Lao-Tze, &amp; so on to make the world less impoverished, such as it is, &amp; edge out of the mainstream cheap talk &amp; fascist discourses that have become tradition. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">About time that a philosophy reader be made available for Filipinos – the repetition of state &amp; religious lies has become truth itself. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But retelling the masters, in his mind, is akin to re-translating them – both processes intertwined to ambiguate a simple task. Milan Kundera, in refuting the vulnerability of a sentence in Kafka’s “The Castrating Shadow of Saint Garta,” (redone into English by Vinlatte in 1938), explains that “while the translator’s situation is extremely delicate: he must keep up with the author and at the same time remain himself… he is faced with the dilemma of want[ing] to invest the text with his own creativity, as if to give himself heart… choos[ing] a word that does not obviously betray the author but still arises from his own initiative.” </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Reading an author is not a simplistic relaying of information: the text is refracted when it passes through the ideological matrix of a reader who must reinvent the writer (all intentions to duplicate the author are assumed as lily-white). But, of course, translators/readers have been warned against this. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Be that as it may, reading consequently is a mode of translating. But such task of defining philosophers of the ages is served well by a generation that has the discipline of monks out to preserve the legacy of multiple truths. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">In this light, he has decided to go his separate way: he’ll just stop &amp; smell the flowers. Too late in his life has he realized he’s not cut out to wrestle with the griffon of words &amp; he cannot undo time &amp; circumstance. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">6.</span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The couple drifted by his table at Heaven N’ Eggs.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The guy kept to himself, while the woman fussed over her orders.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He didn’t mind the two lovers; he couldn’t care less. After all, they wouldn’t with his.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Moments later, he caught a glimpse of the guy solitarily staring into his dalandan juice. The woman had left him.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">When he had finished, he passed her sitting at the patio table, as if pressed for air.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The two were only an eyeful of a distance off.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Love on the rocks? Or simply, to be by her own lonesome &amp; watch cars roll by.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But this is a tale already prefigured in Lubao – if pursued to its grim conclusion.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">7.</span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He was exultant at his presence in a world forum that saw him commingle with writers of probable renown – guys who had been blessed by their embassies to speak on behalf of their native kind, which meant status quo, connection, normative reputation.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">At the podium, the crown would relish every word from his tongue like it were pearl cast before dignified swine; after all, his coming was index of his importance, his literary output, his right to 15 minutes of fame. Anyway, it was the unwritten code among participants not to be disputatious: it was not a debating society set to establish their claims to truth, but a comradeship of the elect in the name of the word. That they’re blest because notified &amp; noticed was fair enough – every writer had dreamt of such eventuality.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Committee assistants, janitors &amp; kibitzers would certainly gawk at the high-spirited exchanges, as if the world was listening to their politesse. Literature, after all, was stuff they were told to read &amp; digest if only to serve as lampposts to their personal inquiries. Their own wisdom they would hold secret in themselves like familial heirloom rarely made to see the light of day.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">So he was receptive of their celebratory mood. His words did matter, after all. Detractors were nowhere in sight. Only the magnanimous civility of librarians, autograph hunters, CL majors in awe of everything bound in print that kept his spirit high…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">He was indeed well pleased with himself, &amp; would be quick to tell the tale once the plane landed in Manila. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">8.</span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">She’s an unica hija to middle class parents when she was young. Pampered but not abusive of origins, she was modest in ambition &amp; style. All she had probably wanted was a humdrum life of keeping house, tending the garden, caring for the cats her mother gave shelter to in the village neighborhood.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But her mother passed away; soon her dad, after a lingering illness, followed; she was left to fend for herself with her only son who had a hole in her heart. Of course, he’s grown now, but would vanish much too often to be with his lower class paramour. She had only herself &amp; an old nursemaid, ever faithful to a fault, to mind the house now badly in need of repairs. She had wanted to sell off the property, along with some inherited lot in the province, but times seemed to be hard &amp; no taker had come forward.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Bills, bills, bills. &amp; there was no one to turn to, except some relatives who acted out like her virtual pawnshop: strictly business, &amp; she could retrieve the family heirloom if money could be made available.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Everyday, she had to ride public transport, because the old Honda &amp; SUV had broken down, on some small errand for a casual employer. But it’s a paltry grind, enough to work out the ennui of the day.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">This second of June, she was startled out of a troubled sleep by the intrusive beeping of her phone: the voice on the other line was warm, solicitous. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">She had even forgotten her birthday.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">9.</span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Inside the classroom, so early in the morning when everyone is still bleary-eyed &amp; sound bytes from the night concert were still ringing in their ears, he will be scanning, like Cortez on the cliff of Darien, for something familiar or strange. But their faces will always be the same: impassive with this time’s neurosis, which unnerves him a bit. He has to work double time again to exorcise their point of view, like a high priest, that has held them in check: keeping faith in the system, blindly carrying on the ideals of a corrupt generation, &amp; playing the game smoothly, “successfully.”</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">They will make as if they’re focused on what he’s saying (but is he focused on what he’s dispersing?). At the end of the session, they’ll heave a sigh of relief –patience is all that’s needed to beat the path to their dreams’ door. Who cares about ideologemes?</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">They know better: money is not the root of evil; they’ll snatch it if they can, for blessed are the loaded because they’ll inherit the future.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Always, as in his own lifetime, barbarians storm the gates of hell.</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
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		<title>Counterdiscourse</title>
		<link>http://theworksofedelgarcellano.wordpress.com/2008/05/29/counterdiscourse/</link>
		<comments>http://theworksofedelgarcellano.wordpress.com/2008/05/29/counterdiscourse/#comments</comments>
		<pubDate>Thu, 29 May 2008 10:05:04 +0000</pubDate>
		<dc:creator>edelgarcellano</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://theworksofedelgarcellano.wordpress.com/?p=390</guid>
		<description><![CDATA[1.
Liar
 
 
He has been
promising himself
for the millionth time:
there will be
no more sad poems,
but he’s a liar,
he does not believe his words,
he sees them in every stone,
arabesque of leaves &#38; shadows
in cold evenings…
He’s a liar
devoured by her face,
her voice,
an angle of her being
that have eluded him
like he were a caged animal
pawing at the air
&#38; the [...]]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p class="MsoNormal" style="text-align:center;"><strong><span style="font-size:11pt;font-family:Arial;">1.<br />
Liar</span></strong></p>
<p class="MsoNormal" style="text-align:center;"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal" style="text-align:center;"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal" style="text-align:center;"><span style="font-size:11pt;font-family:Arial;">He has been<br />
promising himself<br />
for the millionth time:<br />
there will be<br />
no more sad poems,<br />
but he’s a liar,<br />
he does not believe his words,<br />
he sees them in every stone,<br />
arabesque of leaves &amp; shadows<br />
in cold evenings…<br />
He’s a liar<br />
devoured by her face,<br />
her voice,<br />
an angle of her being<br />
that have eluded him<br />
like he were a caged animal<br />
pawing at the air<br />
&amp; the fata morgana<br />
ambles on into the mists…<br />
&amp; time spins<br />
on its axis<br />
toward a void of days –<br />
&amp; he will lie again<br />
for the millionth time<br />
that there will be no more<br />
sad poems<br />
for her who flies<br />
with the wind,<br />
her trail of laughter<br />
like hailstones<br />
falling, falling, falling…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">2.</span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">The Absurd</span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">She hands him a slim collection of Vladimir Nabokov’s <em>Cloud, Castle, Lake</em>, which contains the story “Signs and Symbols.” “It’s good,” she adds, but tells him the title doesn’t seem to add up. He devours the paper with perplexed ambiguity: the Russian aristocrat’s language is crisp &amp; dense, but the narrative’s progression is a pirate’s gangplank that leads to the sea… It is a challenge: how the meaning eludes him when it is almost at his fingertips, the invisible beast of truth gawks from the wings. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">It’s a story of a child detained in a ward because his parents couldn’t handle him: a suicidal freak, “a rare case” where “the patient imagines that everything around him is a veiled reference to his personality and existence. He excludes real people from the conspiracy – because he considers himself much more intelligent than other men. Phenomenal nature shadows him wherever he goes. Clouds in the staring sky transmit to one another, by means of slow signs, incredibly detailed information regarding him. His inmost thoughts are discussed at nightfall, in manual alphabet, by darkly gesticulating trees…” &amp; so forth. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Nature speaks to him in a language of claustrophobic terror. &amp; he would rather disappear from earth, “tear a hole in his world and escape.” </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The story ends with the couple sharing midnight tea, disturbed by the ringing of the phone…</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">(Of course, it could be the voice of nightmare that their son hears – but this is too methodical, artificial unity &amp; technique that attend any educated reading. But what of it then, if a crafty closure is done?)</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The shrewd progression seems to flow to disparate dead-ends; &amp; he wonders how the story can be decoded, even if only to keep a measure of pride that there is a “meaning hidden to be mined.” But he has fallen, it appears, into a trap neatly laid out by Nabokov about a reality that unfolds but bereft of any truth or direction. (Cynics may deduce a vast indifference of an émigré to Bolshevik reading.)</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Things are contingent on the bottom of the abyss, logical on the edge of insanity. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">An orthodox Marxist would be a cyclist running around in circles if he insists all the doors to the absolute are interrelated, like patterns on a shell. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But supposed everything, as Zizek proposes, is a sign of chaos, &amp; the universe turns out to be an inexplicable as any cosmic explosion?</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Can human drama be any different?</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">In Camus’s <em>The Stranger</em>, Mauersault, blinded, as it were, by the Algerian sun flaring in his eyes as he strolls down the beach, suddenly kills an Arab &amp; must account for his act of absurdity &amp; nothingness. He must be responsible for the crime, “even if for Nabokov’s child, he does not allude to the conspiracy among men.” </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">What political exegesis can be made of this?</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">3. </span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:11pt;font-family:Arial;">The Unbeliever</span></strong></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Which brings us to the broadsheet editorial that starts off with encomiums from Crispin Beltran’s comrades – that, even if he did not die in the streets which could have been pretty dramatic &amp; symbolic, he would end up just the same a heroic figure because he was the iconic voice of labor, &amp; so forth. Politicians would wade in: they didn’t agree with him all the time, but he’s worthy of their admiration &amp; respect (although that does not absolve them of the crime of upholding neo-liberal interests). </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Until the essay winds down to an ideological blip on capitalism: says the writer, who, technically sums up the paper’s political platform, which, it could be presumed, is not shared by the whole, as individuals, editorial staff: “It is not Beltran’s fault that the principle he fought for throughout his life, the right of workers to organize themselves has lost some of its urgency &amp; its appeal. The ranks of organized labor are thinning, in the Philippines as well as abroad. In large part, this is the result of improvements in work conditions. (That was always a failing in Marx, the inability to see that capitalism may have a self-healing capacity.)”</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">This is a mouthful that elevates the writer to a guru higher than the theorist of historical materialism (the capacity to see is historically situated), &amp; keeps him as mimic of Fukuyama who alleged “the failure of alternatives to liberal capitalism” &amp; proclaimed the very end of history in a mode of production that is essentially &amp; forever capitalist upon which mankind cannot advance any further. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">That, it is argued by neo-liberals, capitalism can be benevolent is exactly, for Alex Callinicos, a fallacy; after all, “a benevolent capitalist who paid his workers wages that broadly corresponded to the amount of value they created would find himself out of business. For, directly or indirectly, from profits are funded the investments through which individual capitals expand and/or improve their productive capacity.” &amp; though Marx “praises capitalism in <em>The Communist Manifesto</em> and the <em>Grundrisse</em>… he also means that the development of the productive forces makes capitalism constitutively liable to crisis.”</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">The global situation of overproduction &amp; falling profits wreak havoc on the working class (note the thinning of the local ranks is proportional to the diasporic plight of labor that is kept cheap &amp; abundant in the market, to the delight of multinational executives) – this is fundamental, almost dogmatic; &amp; the so-called “self-healing capacity” of capitalism suppresses the grim reality of free-trade zone strikes caused by the exploitative policies, the threat to unions, human trafficking &amp; worse, the salvaging of leaders as well as militants who are impediments to systemic stability. The decline in union organizing is certainly not a natural fate, but a handiwork of fascist violence that allows government to look the other way. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">That the system, moreover, is “self-healing” doesn’t make capitalism an organic organization, virtually a living entity reminiscent of Deleuze &amp; Guattari’s hydra, with self-corrective mechanism or an immunizing physiology that sutures labor &amp; capital. Rather, it is the sustenance of brute force to normalize the nature of things, as it were. An economy that serves corporate or oligarchic few can always convulse at flashpoints of the politico-ideological. </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">After all, it is “capitalism against the planet.”</span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;"> </span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">But the editorial’s patent blindness is basic to postmodernist sway in the ’90s. The writer, steeped in his fashionable discourse in elite universities, is not aware that, in the analysis of Luc Boltanski &amp; Eve Chapiello, “the renewal of social criticism in France during the 1990s in reaction to the experience of neo-liberalism” was something “that postmodernism sought to prohibit.” For Callinicos, “the re-emergence of anti-capitalist discourses and movements therefore marks the breakdown of the hegemony that postmodernism has exerted over avant-garde thinking over much of the past two decades.” </span></p>
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<p class="MsoNormal"><span style="font-size:11pt;font-family:Arial;">Moreover, “there was a renewed pre-occupation with the material,” not the cultural.</span></p>
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